Last night The Dodos and Magik*Magik took to the stage in a pysch folk, orchestral sandwich. The allegedly sold-out show began with a series of experimental Magik*Magik musicians tweaking the cello, manipulating percussion, mastering the marimba and closing with a melancholy ditty including special guest John Vanderslice. After a short break, The Dodos appeased an eager (and vocal) crowd with a long set of flawlessly performed hits. The always earnest Meric looked out to the audience early on and said, "Wow. This is a really busy place to play," as if the band hadn't just a few weeks ago entranced a packed audience of art enthusiasts for SFMOMA's anniversary weekend.
We all know The Dodos are poised for great success and yet I was still blown away by how good these guys are live. Meric's voice booms and strikes a chord reminiscent of Johnny Cash while all three band members hit every note on their respective instruments like there's no tomorrow. For the final set, Magik*Magik's full orchestra rejoined the trio onstage for another mesmerizing series of songs. Minna Choi, the mastermind behind Magik*Magik, seamlessly integrated strings and choir voices with the finger-picking acoustics and vibraphone melodies of The Dodos in a brilliantly composed collaboration between modern and classical.
If you weren't there, I'm sorry. Just don't make the mistake of missing this show next time these two powerhouses collaborate.
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